I’m fine.
This is Yoshino Aoyama.
The other day, I went to Hakkeijima Sea Paradise. Bocchi the rock! I was overjoyed to see that I was collaborating with Seapara, which is full of families, and that it was completed in a way that looked like a shabby so-and-so within a few steps.
Actually, I visited there once five years ago. I think it was a location recording of a program they were doing at the time.
Even so, everything I saw seemed fresh to me, perhaps because my memories had left the drawer in my brain, or perhaps because I was so nervous about recording on location that I was not used to, that I didn’t have time to look around in the first place.
Sea Para, where he walked with everyone and said, “I saw this scenery somewhere…” like the protagonist of a memory-tracing game, was quite cool.
After that, there was a fancon that I really liked, so I had a quick night out, but I thought that if I had some free time again, I’d like to ride some of the attractions or row a boat.
Recently, we have been rehearsing for our birthday live next month.
There are a lot of things to think about. Limited physical strength. Miscellaneous expenses that increase according to the situation.
When you stand at the same venue three times, you can clearly see both the good things and the things that need improvement.
What I am particularly concerned about is relief for the rear seats.
Currently, my live shows are held in the form of a complete lottery with the exact same amount for both the front row and the back row. At least it’s a FC advance, but it seems like it won’t be able to capture the complete wishes of each and every one of you.
We even proposed bringing in a large box horse to make it easier for everyone in the back row to see, but we gave up on it due to the venue’s inconvenience and the cost being prohibitive.
I managed to decide on each item one by one, the number of orders to order, and the price, while looking at last year’s numbers to see what sold for how much and what was left unsold, but I was still not sure if I would be satisfied with it. I don’t know.
I spend my days feeling the responsibility of putting on a live performance.
and! teeth! stomach! picture!
It seems like it’s really rare to do something like what I wrote above that involves the artist himself, but isn’t it great when everything that comes from you is within the reach of your eyes and mouth? ? Both I think.
After all, it’s the birthday live of the adorable and adorable Yo Pipinkoro Daisensei, so I’d be happy if we could just create a fun space with everyone who has a higher level of love than me.
My song started with a bento box.
I tried to remember this feeling somewhere, like the main character again, and it was the same path I took at my first live three years ago and on this tour.
When I re-read this column, I find that especially at this time of year, I am expressing a wide variety of emotions, and I am truly grateful to all of you for accepting all of the feelings that are freely expressed.
The rut of anxiety may be forever.
I want to remember to have faith in myself and love for everyone so that I can be covered with applause without any doubts.
For those of you who are coming, please make sure you are in good physical condition, and for those of you who would like to support from afar, please refine your spiritual level and prepare for the flight.
In the next column, I will be one year older…
So that’s it for now.
Goodbye.
Aoyama Yoshino
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Editor: Yuki Kawano
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